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Posts Tagged ‘women glassmakers’

  • December 10, 2020
  • 1 comment

Women in Glasshouses: A Story in Progress

Our blog series exploring women working in the glass industry has drawn to a close. We shared only a few stories, and there is so much more history yet to uncover. Our series focused on America, but other publications, exhibitions, … Read more →

  • Posted in: From the Collections, News & Events, Rakow Library, Research
  • August 20, 2020
  • 3 comments

Women in Glasshouses: Women in Science

This entry in the Women in Glasshouses blog series comes from Nancy Magrath, a former reference librarian at the Rakow Research Library. Corning Glass Works built its first dedicated laboratory building in 1913 and hired Dr. Jesse T. Littleton, a … Read more →

  • Posted in: Education, From the Collections, Glassmaking techniques/process, News & Events, Rakow Library, Research
  • August 6, 2020
  • 4 comments

Women in Glasshouses: Women at the Lamp

Say the word “glassblower” and this is the image many people have: hot, sweaty, muscular, male — they don’t realize there is a long tradition of women working in factories and in cottage industries, melting glass using a lamp or … Read more →

  • Posted in: Education, From the Collections, Glassmaking techniques/process, Rakow Library, Research
  • July 23, 2020
  • 0 comments

Women in Glasshouses: Life in the Factories

On March 25, 1911, the Triangle Shirtwaist Factory in New York City caught fire and claimed the lives of 145 workers. Nearly all of these workers were young women. One of the most catastrophic workplace incidents in American history, this … Read more →

  • Posted in: Education, From the Collections, Glassmaking techniques/process, Rakow Library, Research
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We’re excited to share that the Museum’s former Sr. Director of Creative Strategy and Visitor Engagement, Rob Cassetti, served as the final guest judge on Blown Away Season 2. Look for Rob and six members of the Museum’s Hot Glass Demo Team in the sizzling finale when Blown Away launches on Netflix on January 22!Object of the Week: Five-Draw Telescope, unknown maker, Italy, 1700-1750. 2018.8.5. The introduction of the telescope in 1608 led to the production of many Galilean telescopes with a single-lens eyepiece, low magnification, and a narrow field of view. The development of the compound eyepiece in 1645 made it possible to use the telescope as a more effective device for astronomical and terrestrial observation. This example could be used for both types of observation: at 44 cm in length, it’s portable, and it provides magnification and a field of view convenient for observing both realms.We’re toasting the new year with this design drawing from H.P Sinclaire & Co. for a champagne glass! 188 sau. champ. [art original]: no. 40, H. P. Sinclaire & Co., Corning, NY, 1904-1927. H. P. Sinclaire & Co. design drawing collection. CMGL 125637.Object of the Week: Bottle with Snake-Thread Decoration, Cologne, Germany, 175-299. Purchased in part with funds from the Arthur Rubloff Residuary Trust. 2017.1.27. The glassworker applied these “snake threads” to the surface of the bottle and added the crimped pattern with a tool. The Y-shaped tendrils, which appear brown, are gilded and give almost architectural structure to the more random white and blue patterns.Joyous Kwanzaa from The Corning Museum of Glass! The kinara, Swahili for candleholder, holds seven candles—three red on the left, three green on the right, and a single black candle in the middle—that represent the seven principles that are the foundation of the African-American celebration Kwanzaa. The glass kinara represents a bridge spanning generations of African-American people, and a waterfall cascades behind it to symbolize how they all flow together. Behind the scene, a mirror invites the onlooker to see their reflection and contemplate what Umoja means to them. Kwanzaa Setting was designed by Jonathan Rowe of Horseheads, New York, and the Rowe Family guided and assisted the Museum’s Hot Glass Demo Team in creating the piece. You can see this Kwanzaa Setting at the Museum through January 4.

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