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Posts Tagged ‘Lalique’

  • November 23, 2014
  • 0 comments

Celebrate Picture Book Month with books about glass

What do alligators, René Lalique, and contessas have in common? They’re all featured in children’s books about glass. The Rakow Research Library is known for having high-quality resources for glass scholars, collectors, and makers, but did you know the Library … Read more →

  • Posted in: Rakow Library
  • November 10, 2014
  • 0 comments

Warning! Contents Fragile…

What’s more fragile, a 19th century crystal decanter or a newspaper clipping from 1948? Well, it depends on whether you are throwing them or exhibiting them, it turns out. If you fling the glass decanter and the newspaper clipping against … Read more →

  • Posted in: Installations, Rakow Library
  • September 25, 2014
  • 4 comments

Explain it to me: Casting a Glass Hawk Head

Early this summer I had a chance to do something out of the norm. As part of René Lalique: Enchanted by Glass, our show about René Lalique here at the Museum, I had the chance (and challenge) to make samples … Read more →

  • Posted in: Education, Glassmaking techniques/process, Programs, The Studio
  • July 28, 2014
  • 2 comments

Glass and the Tour de France

The Tour de France, an annual multi-stage bicycle race set primarily in France, is perhaps the most well-known cycling event in the world. But did you realize the 2014 course has a connection to the history of glassmaking? Looking at a … Read more →

  • Posted in: Rakow Library
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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