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Posts Tagged ‘junior curators’

  • July 26, 2022
  • 1 comment

Looking back to ’72: The Junior Curators Honor the 50th Anniversary of the 1972 Flood 

Even before I moved to Corning, I had heard about the 1972 flood. A few weeks before I moved across the country to take a position at the Museum, I spent my last day as a volunteer docent at the … Read more →

  • Posted in: Exhibitions, From the Collections, Rakow Library
  • September 21, 2016
  • 0 comments

CMoG teens hit the ground running

Alexia Pratt has been a teen volunteer at The Corning Museum of Glass for two years and is a member of the Teen Leadership Council during its inaugural year. She is a sophomore at Corning-Painted Post High School. You guys … Read more →

  • Posted in: Programs
  • September 18, 2012
  • 0 comments

Being a Junior Curator

Today’s post is from Junior Curator Devin Cook. Before I began the CMoG Junior Curator program I knew that it was a great opportunity for learning about different art forms (I am looking into making a career out of illustration) … Read more →

  • Posted in: Programs, The Studio
  • January 1, 2011
  • 1 comment

Teens: Explainers, Jr. Curators and Tour Assistants

Imagine you are enjoying an exhibit at a museum, but you would like to learn more from a real person. Also, you would like to actually touch objects to make your sensory experience complete. Enter the Museum Explainers! Explainers at The … Read more →

  • Posted in: Education, Programs
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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