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Posts Tagged ‘Guest Artist Program’

  • October 17, 2022
  • 1 comment

Five Fun Facts: Little Known Gems About the Museum!

With 70+ years of history and thousands of objects, The Corning Museum of Glass is a mosaic of interesting information, including things that our visitors might not notice. Here’s a quick round-up of just some of the things you may … Read more →

  • Posted in: Uncategorized
  • September 27, 2022
  • 1 comment

Artist Profile: A Good Year with Cedric Mitchell

Is glass experiencing a renaissance in 2022? With the UN-designated Year of Glass well underway, the hit Netflix show Blown Away bringing glassblowing to the masses, and glass design being celebrated from Design Miami to the Venice Biennale, glass is … Read more →

  • Posted in: Artists
  • February 1, 2022
  • 0 comments

A Guest in the Hot Shop: Artist Elaine K. Ng Joins Museum Glassblowers

Glassblowing is often about collaboration. About working together to discover what’s possible. The Hot Glass Team at The Corning Museum of Glass (CMoG) embodies that practice. Every day, the glassblowers unite their collective skills to create masterworks in glass to … Read more →

  • Posted in: Artists, Hot Glass Demos
  • April 18, 2015
  • 1 comment

Guest Artist Bertil Vallien Brings Sandcasting to the Amphitheater Hot Shop

The new Contemporary Art + Design Wing is all about light, so it seems only fitting that one of the first guest artists to work in the space is Bertil Vallien, a well-known Swedish artist whose work seems to encapsulate … Read more →

  • Posted in: Artists, Hot Glass Demos
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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