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Posts Tagged ‘glass’

  • October 30, 2015
  • 0 comments

Top 10 Glass Objects to Celebrate Halloween

“Shimmering,” “brilliant,” “sparkling”: these are words typically used to describe glass. But given the time of year, we thought it would be fun to find objects in our collection described as “creepy,” “scary,” or “odd.” Here is a list of … Read more →

  • Posted in: From the Collections
  • June 3, 2015
  • 6 comments

Part 2: Why Does Glass Break?

Last week we started to look at the question of why optical fiber bends so much. We learned that glass is rigid at an atomic level and metal has more flexibility. In order to really understand why things do not … Read more →

  • Posted in: Education
  • May 28, 2015
  • 0 comments

Part 1: Why Is Optical Fiber Flexible?

In the Innovations gallery we get many questions about all sorts of topics involving glass. One of the most frequently asked questions, in reference to optical fiber, is “How can glass be so flexible?” To answer this we will be … Read more →

  • Posted in: Education
  • March 19, 2015
  • 1 comment

1 More Day Until the New Wing Opens

Only 1 more day until Roni Horn’s sculpture breaks the mold in the new Contemporary Art + Design Wing. Untitled (“The peacock likes to sit on gates or fenceposts and allow his tail to hang down. A peacock on a … Read more →

  • Posted in: New Contemporary Art + Design Wing
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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