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Posts Tagged ‘glass artist’

  • October 3, 2015
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Mel Willis and “Materiality”

Visitors to the exhibition “Materiality” at the Light Square Gallery in Adelaide, Australia this past summer caught a glimpse of a town thousands of miles away, but familiar to those who have visited The Corning Museum of Glass. During her 2013 residency … Read more →

  • Posted in: Artist-in-Residence, Artists
  • November 17, 2014
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October 2014 Artist-in-Residence: Anthony Cioe and Matthew Szösz

Two artists with a common passion for experimenting with glass came to The Studio as Artists-in-Residence in October, each with ambitious projects in mind. Anthony Cioe is a Brooklyn-based artist who specializes in blending traditional Venetian techniques with contemporary design. … Read more →

  • Posted in: Artists, The Studio
  • April 3, 2014
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Artist-in-Residence Shelley James

  Shelley James’ work is the result of practiced technical precision and researched techniques. Over the past six years, she has focused her work on “combining the optical qualities of glass with the graphic range of print to explore the … Read more →

  • Posted in: Artists, The Studio
  • March 3, 2014
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Artist-in-Residence Program Supports 13 Artists at The Studio of The Corning Museum of Glass in 2014

From March through November, The Studio will host 13 Artists-in-Residence to experiment and research new techniques in glass. Among them are a Korean artist who investigates sculptural expressions in cold-worked glass, an Irish artist whose background in textiles informs her current work … Read more →

  • Posted in: Artists, The Studio
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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