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Posts Tagged ‘Finger Lakes’

  • December 3, 2015
  • 3 comments

How it’s Made: Grape Blow Mold

In conjunction with our exhibition, Ennion and His Legacy: Mold-Blown Glass from Ancient Rome the Make Your Own Glass Workshop is offering a very special mold blown ornament project. We designed and created a blown glass grape cluster in the spirit … Read more →

  • Posted in: Glassmaking techniques/process, The Studio
  • August 2, 2013
  • 1 comment

Creating the Trophy for the NASCAR Cheez-It 355 at The Glen

In a partnership with Watkins Glen International that began last year, Museum glassmaker Eric Meek has designed and crafted the unique sculpted glass trophy that will be presented to the winner of the Cheez-It™ 355 at The Glen NASCAR race. … Read more →

  • Posted in: News & Events
  • February 13, 2013
  • 0 comments

Glass and Grapes: The Museum’s Master Glassmakers featured at 2300° Finger Lakes Finest

Those who came to January’s 2300°: Finger Lakes Finest were treated to not only free wine tastings from 30 of the Finger Lakes’ best local wineries, but also a spectacular show by two of the Museum’s resident master glassmakers, Eric … Read more →

  • Posted in: Artists, Programs
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We’re excited to share that the Museum’s former Sr. Director of Creative Strategy and Visitor Engagement, Rob Cassetti, served as the final guest judge on Blown Away Season 2. Look for Rob and six members of the Museum’s Hot Glass Demo Team in the sizzling finale when Blown Away launches on Netflix on January 22!Object of the Week: Five-Draw Telescope, unknown maker, Italy, 1700-1750. 2018.8.5. The introduction of the telescope in 1608 led to the production of many Galilean telescopes with a single-lens eyepiece, low magnification, and a narrow field of view. The development of the compound eyepiece in 1645 made it possible to use the telescope as a more effective device for astronomical and terrestrial observation. This example could be used for both types of observation: at 44 cm in length, it’s portable, and it provides magnification and a field of view convenient for observing both realms.We’re toasting the new year with this design drawing from H.P Sinclaire & Co. for a champagne glass! 188 sau. champ. [art original]: no. 40, H. P. Sinclaire & Co., Corning, NY, 1904-1927. H. P. Sinclaire & Co. design drawing collection. CMGL 125637.Object of the Week: Bottle with Snake-Thread Decoration, Cologne, Germany, 175-299. Purchased in part with funds from the Arthur Rubloff Residuary Trust. 2017.1.27. The glassworker applied these “snake threads” to the surface of the bottle and added the crimped pattern with a tool. The Y-shaped tendrils, which appear brown, are gilded and give almost architectural structure to the more random white and blue patterns.Joyous Kwanzaa from The Corning Museum of Glass! The kinara, Swahili for candleholder, holds seven candles—three red on the left, three green on the right, and a single black candle in the middle—that represent the seven principles that are the foundation of the African-American celebration Kwanzaa. The glass kinara represents a bridge spanning generations of African-American people, and a waterfall cascades behind it to symbolize how they all flow together. Behind the scene, a mirror invites the onlooker to see their reflection and contemplate what Umoja means to them. Kwanzaa Setting was designed by Jonathan Rowe of Horseheads, New York, and the Rowe Family guided and assisted the Museum’s Hot Glass Demo Team in creating the piece. You can see this Kwanzaa Setting at the Museum through January 4.

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