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Posts Tagged ‘Curiouser’

  • January 24, 2018
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A wall of inspiration

When visitors walk into the Curious and Curiouser: Surprising Finds from the Rakow Library exhibition they can’t miss the 9-foot tall “cloud” made from more than 700 colorful notes dangling near the entrance. This is the Inspiration Wall. The exhibition team … Read more →

  • Posted in: Exhibitions, Rakow Library
  • December 15, 2017
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The curious history of glass coins

Have you ever thought about all the metal in your piggy bank? The United States Mint certainly has. When the United States joined World War II in December 1941, the government worried about strategic reserves of metal, knowing that it … Read more →

  • Posted in: Exhibitions, Rakow Library
  • November 17, 2017
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Myth busted: scandal in the glasshouse

Mystery. Scandal. Fraud. Like any other cultural institution, the collections within the Rakow Research Library are not immune from tales of secrets long-buried – unsurprising, really, for a library that includes nearly 200 archival collections. For years, I’d heard tell … Read more →

  • Posted in: Exhibitions, Rakow Library
  • October 20, 2017
  • 2 comments

Glass and death

In honor of the impending season of Halloween, All Souls Day, and Day of the Dead, let us dwell for a moment on the peculiar and interesting topic of death and glass. In the Rakow Research Library of The Corning … Read more →

  • Posted in: Exhibitions, Rakow Library
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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