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Posts Tagged ‘Curious and Curiouser’

  • October 30, 2018
  • 0 comments

Failure to launch: The American glass casket industry

The Industrial Revolution in America altered nearly every part of life, including death. Until the late 1800s, burial in a hand-worked wooden coffin was common. Unfortunately, the coffin and the body inside were known to quickly succumb to the teeming … Read more →

  • Posted in: From the Collections
  • July 19, 2018
  • 3 comments

Five glass fiction reads for the summer

This post comes from Allie Shanafelter, Public Services intern at the Rakow Library. Stolen paperweights, daring and handsome glass workers, fantastical lands saved by magical beads – if these sound intriguing, you’ll be excited to know there is a whole … Read more →

  • Posted in: Rakow Library
  • May 23, 2018
  • 1 comment

Top five curious ancient glass objects

As you channel surf over a long, rainy weekend, chances are you will stumble upon a TV show that claims to reveal “secrets of the Egyptians” or “mysteries of the Romans.” Although the claims of these shows range from provocative … Read more →

  • Posted in: Exhibitions, From the Collections, Rakow Library
  • March 14, 2018
  • 2 comments

Glass eyes for fish?!

The Curious and Curiouser: Surprising Finds from the Rakow Library exhibition at The Corning Museum of Glass’ Rakow Research Library is filled with objects and stories that inspire. In a previous blog post, I’ve written about the glass eyes that … Read more →

  • Posted in: Exhibitions, Hot Glass Demos, Rakow Library
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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