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Posts Tagged ‘construction’

  • July 11, 2013
  • 2 comments

Expansion Update: Rebar

Almost all modern concrete is reinforced with steel rebar. Steel and concrete are an excellent combination. Concrete is strong in compression and relatively weak in tension. Steel is strong in tension. They have similar rates of expansion and contraction when … Read more →

  • Posted in: New Contemporary Art + Design Wing
  • May 24, 2013
  • 4 comments

Expansion Update: Concrete Pump

On large construction sites like the Museum’s North Wing Addition, it is sometimes impossible to back concrete trucks close enough to the form where the concrete is to be placed. At the Museum, the construction site can only be approached … Read more →

  • Posted in: New Contemporary Art + Design Wing
  • April 12, 2013
  • 2 comments

Expansion Update: Starting at the Bottom

The North Wing expansion project is moving along. Some concrete footings for walls and columns have been poured and plumbing drain lines have been placed.  The current level of the dirt on the construction site is far below the eventual … Read more →

  • Posted in: New Contemporary Art + Design Wing
  • March 8, 2013
  • 0 comments

Museum Expansion Update: Concrete and Cold Weather

The demolition phase of the North Wing Addition project is complete, and now we begin to construct what will become 26,000 square feet of new gallery space for contemporary glass. That means we’re pouring a lot of concrete in the … Read more →

  • Posted in: New Contemporary Art + Design Wing
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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