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Posts Tagged ‘Connected by Glass’

  • February 9, 2021
  • 1 comment

Blown Away Contestant Cat Burns, a Star on the Rise

Glass artist Cat Burns, had a pretty interesting year in 2020, but she wasn’t able to talk about most of it until now. From studio instructor to TikTok sensation to star contestant on season 2 of the Netflix series Blown … Read more →

  • Posted in: Artists, Blown Away, News & Events
  • September 29, 2020
  • 1 comment

From NASCAR to Netflix, everything is Connected by Glass

This week, on October 1, 2020, the Museum’s virtual program Connected by Glass will air its 10th episode, a special discussion in connection with our new mini-exhibit Transparent: voting in America. To reach this milestone is an exciting and well-deserved … Read more →

  • Posted in: Digital, News & Events, Programs, Staff
  • June 23, 2020
  • 0 comments

Coded in Glass: A Love That Dared Not Speak its Name

Queerness is as old as humanity itself. It might not have always been recognized as such, and it certainly has not always been accepted (and we still have a long way to go on that front), but communities of Queer … Read more →

  • Posted in: From the Collections, Recent Acquisitions, Research
  • May 28, 2020
  • 1 comment

Extra, Extra! Get Your Blown Away Extras!

Could there be a better time to discover Blown Away, the hottest show on Netflix? Oh, you already have! Well, then now’s the perfect time to ‘re-binge’. Is that a thing? It should be! Season one of Blown Away has 10 … Read more →

  • Posted in: Blown Away, Digital, Glassmaking techniques/process, News & Events
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We’re excited to share that the Museum’s former Sr. Director of Creative Strategy and Visitor Engagement, Rob Cassetti, served as the final guest judge on Blown Away Season 2. Look for Rob and six members of the Museum’s Hot Glass Demo Team in the sizzling finale when Blown Away launches on Netflix on January 22!Object of the Week: Five-Draw Telescope, unknown maker, Italy, 1700-1750. 2018.8.5. The introduction of the telescope in 1608 led to the production of many Galilean telescopes with a single-lens eyepiece, low magnification, and a narrow field of view. The development of the compound eyepiece in 1645 made it possible to use the telescope as a more effective device for astronomical and terrestrial observation. This example could be used for both types of observation: at 44 cm in length, it’s portable, and it provides magnification and a field of view convenient for observing both realms.We’re toasting the new year with this design drawing from H.P Sinclaire & Co. for a champagne glass! 188 sau. champ. [art original]: no. 40, H. P. Sinclaire & Co., Corning, NY, 1904-1927. H. P. Sinclaire & Co. design drawing collection. CMGL 125637.Object of the Week: Bottle with Snake-Thread Decoration, Cologne, Germany, 175-299. Purchased in part with funds from the Arthur Rubloff Residuary Trust. 2017.1.27. The glassworker applied these “snake threads” to the surface of the bottle and added the crimped pattern with a tool. The Y-shaped tendrils, which appear brown, are gilded and give almost architectural structure to the more random white and blue patterns.Joyous Kwanzaa from The Corning Museum of Glass! The kinara, Swahili for candleholder, holds seven candles—three red on the left, three green on the right, and a single black candle in the middle—that represent the seven principles that are the foundation of the African-American celebration Kwanzaa. The glass kinara represents a bridge spanning generations of African-American people, and a waterfall cascades behind it to symbolize how they all flow together. Behind the scene, a mirror invites the onlooker to see their reflection and contemplate what Umoja means to them. Kwanzaa Setting was designed by Jonathan Rowe of Horseheads, New York, and the Rowe Family guided and assisted the Museum’s Hot Glass Demo Team in creating the piece. You can see this Kwanzaa Setting at the Museum through January 4.

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