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Posts Tagged ‘Art Deco’

  • May 20, 2021
  • 1 comment

When Glass Meets Minimalism: Edward James and His Art Deco Glass Lamps

This blog comes to us from Rose Zhou, Sujin Jung, and Rick Li, MA Conservation Studies students at West Dean College on the south coast of England. Rose, Sujin, and Rick have been interning with The Corning Museum of Glass … Read more →

  • Posted in: Conservation, Volunteers & Interns
  • July 28, 2014
  • 2 comments

Glass and the Tour de France

The Tour de France, an annual multi-stage bicycle race set primarily in France, is perhaps the most well-known cycling event in the world. But did you realize the 2014 course has a connection to the history of glassmaking? Looking at a … Read more →

  • Posted in: Rakow Library
  • April 18, 2013
  • 4 comments

Recent Acquisition: Art Deco Trade Catalog from DeVilbiss Company

The Rakow Library has acquired a trade catalog produced by the DeVilbiss Company of Toledo, Ohio. DeVilbiss produced luxury glass items, considered elegant and sophisticated due to the tall and sleek shape of many of the glass bottles. The perfume bottles, perfume … Read more →

  • Posted in: Rakow Library, Recent Acquisitions
  • August 15, 2012
  • 5 comments

Solving the mystery of the Lalique birds

My name is Kelley Elliott. In March, 2012, I began work as the curatorial assistant of modern glass at The Corning Museum of Glass. Part of my job as curatorial assistant is to make sure that the information we have … Read more →

  • Posted in: Introduction, Rakow Library, Research
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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