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Posts Tagged ‘Archives’

  • July 13, 2021
  • 2 comments

Welcome to Corelle: No Happy Accident

Corelle: practical, strong, timeless, and perfect for everywhere. As true today as it was when Corelle was first invented in 1970. With a reputation for strength well-known around the world from Corning to Australia and designs that have stood the … Read more →

  • Posted in: News & Events, Rakow Library
  • May 11, 2021
  • 2 comments

Scanning Pilchuck: 50 Years and 70,000 Photos!

I doubt there is anyone in the glass community who is unfamiliar with Pilchuck Glass School located outside of Seattle, Washington. Founded by Dale Chihuly and patrons Anne and John Hauberg, its rise from experimental workshop to international glass center … Read more →

  • Posted in: From the Collections, News & Events, Rakow Library, Volunteers & Interns
  • July 30, 2019
  • 0 comments

Library Acquires “Phenomenal Resource” of Performance Art Records

The Rakow Research Library is delighted to announce our first acquisition of performance art documentation in contemporary glass, with the addition of the B Team Records. In 2018, B Team founder Zesty Meyers gave his collected materials on the B … Read more →

  • Posted in: Rakow Library, Recent Acquisitions
  • August 8, 2018
  • 0 comments

The best laid plans: How sketches and blueprints inform the design process

This post comes from Ilaria Camerini and Erin Fitterer, Rakow Library interns during the summer of 2018 working on the conservation of Library collections, including the Whitefriars stained glass cartoon collection. Read more about this project and the collection in … Read more →

  • Posted in: Conservation, Rakow Library
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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