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Posts Tagged ‘american glass’

  • April 7, 2021
  • 1 comment

Curating a Lifetime: Jane Shadel Spillman, a memorial

The Corning Museum of Glass is deeply saddened by the passing of Jane Shadel Spillman, our former curator of American glass who retired in 2013 after a CMoG career that spanned nearly five decades. Jane joined the Museum’s 13-person staff … Read more →

  • Posted in: News & Events, Staff
  • October 20, 2020
  • 0 comments

Women in Glasshouses: The Complex Identity of Helen McKearin

Helen McKearin’s status as an expert on American glass is well earned. During her lifetime, she wrote four books on the subject, conducted glass collection surveys, curated museum exhibitions, and seemed to be constantly engaged in research on early American … Read more →

  • Posted in: Education, News & Events, Rakow Library, Research
  • September 19, 2018
  • 3 comments

Conservation of three lampshades

This blog post comes from Adelheid Hansen, an intern in the Conservation department. It was a dream come true to be an intern in the Conservation Lab of The Corning Museum of Glass for eight weeks in early 2018. Shortly … Read more →

  • Posted in: Conservation
  • July 3, 2015
  • 0 comments

Top 10 Patriotic Glass Objects for the 4th of July

Many artists have been inspired by the patriotic colors and symbols of the United States of America. In honor of this weekend’s holiday, we’ve compiled a list of the top 10 glass objects to celebrate a patriotic Fourth of July. … Read more →

  • Posted in: From the Collections
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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