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Posts Tagged ‘american glass gallery’

  • January 13, 2014
  • 1 comment

Giometti Brothers: Manufacturers of Rich Cut Glass, 1902-1933

On display in the Crystal City Gallery are two objects designed and cut by the Giometti Brothers. I was unfamiliar with the Giometti Brothers until recently, when a public inquiry led me to discover a bit about the company. In … Read more →

  • Posted in: From the Collections
  • November 28, 2013
  • 4 comments

T.G. Hawkes & Co.: A Corning Cut Glass Tradition

American glass curator, Kelly Conway, and I were struck by the overall beauty and magnificent cutting of this T.G. Hawkes Plate in “Willow” Pattern (2007.4.51). Kelly, who recently wrote on table settings for Thanksgiving, remarked that this cut plate had … Read more →

  • Posted in: From the Collections
  • November 27, 2013
  • 4 comments

Celebrating Thanksgiving at the Table

150 years ago, President Abraham Lincoln issued a proclamation creating a national day of thanksgiving on the last Thursday in November. Before this, only certain areas of the country observed a day of thanksgiving with regional foods and customs. These … Read more →

  • Posted in: From the Collections
  • November 25, 2013
  • 0 comments

Meet Kelly Conway

Kelly Conway, the Museum’s new curator of American glass, came to the Museum in September. We recently spoke about her background as a specialist in nineteenth and early twentieth century American glass and what she has planned for the Museum’s … Read more →

  • Posted in: Introduction
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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