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Posts Tagged ‘19th Amendment’

  • October 1, 2020
  • 4 comments

Women in Glasshouses: Woman to Woman – Selling Glass in the 20th Century

There are plenty of vintage magazine and newspaper ads that tell the story of how companies have used images of women to sell more glass products. But when you get to poke through all kinds of odd bits and pieces … Read more →

  • Posted in: Education, News & Events, Rakow Library, Research
  • September 17, 2020
  • 0 comments

Women in Glasshouses: An Appealing Woman – How to Sell Glass

Is your home clean and stylish? Your husband happy and adoring? Are you thin, white, and good-smelling with helpful and obedient children? Then you must own [insert name of glassware product here]. Ads selling glassware from the early 1900s reflect … Read more →

  • Posted in: Education, News & Events, Rakow Library, Research, Uncategorized
  • September 4, 2020
  • 0 comments

Women in Glasshouses: Now We’re Cooking with Glass! A Spotlight on Lucy Maltby

Pyrex® revolutionized home cooking and gave bakers and chefs a new tool to fill with ingredients and throw in the oven. Home cooks’ lives were made easier by the efforts of those who developed and tested Pyrex. Dr. Lucy Maltby … Read more →

  • Posted in: Education, News & Events, Rakow Library, Research
  • August 20, 2020
  • 3 comments

Women in Glasshouses: Women in Science

This entry in the Women in Glasshouses blog series comes from Nancy Magrath, a former reference librarian at the Rakow Research Library. Corning Glass Works built its first dedicated laboratory building in 1913 and hired Dr. Jesse T. Littleton, a … Read more →

  • Posted in: Education, From the Collections, Glassmaking techniques/process, News & Events, Rakow Library, Research
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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