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Posts in Category ‘Staff’

  • December 21, 2021
  • 1 comment

Glass Kwanzaa Display Gets a Refresh

Kwanzaa (pronounced kwahn-zuh) is a vibrant cultural holiday observed from December 26-January 1 that celebrates the African American community. The holiday serves as a time to gather as a family unit and cultural community to affirm communal values and African … Read more →

  • Posted in: News & Events, Staff
  • October 7, 2021
  • 0 comments

Burning Questions Answered on #AskACurator Day

The leaves are changing from green to orange, the glass pumpkins are fully on display: fall is here at the Museum! With fall comes one of our favorite virtual events: #AskACurator Day, where folks from around the world can ask … Read more →

  • Posted in: From the Collections, News & Events, Social Media, Staff
  • May 4, 2021
  • 1 comment

Discovering the Mysteries of Glass: Dr. Robert H. Brill, a memorial

The Corning Museum of Glass has lost another great in Dr. Robert H. Brill who died in Corning on April 7. We offer our sincere condolences to his family and loved ones. Dr. Brill, who served as the Museum’s director … Read more →

  • Posted in: News & Events, Staff
  • April 7, 2021
  • 1 comment

Curating a Lifetime: Jane Shadel Spillman, a memorial

The Corning Museum of Glass is deeply saddened by the passing of Jane Shadel Spillman, our former curator of American glass who retired in 2013 after a CMoG career that spanned nearly five decades. Jane joined the Museum’s 13-person staff … Read more →

  • Posted in: News & Events, Staff
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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