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Posts in Category ‘Photography’

  • April 20, 2021
  • 1 comment

Photographing Glass: Revisiting the Morgan Cup 30 Years On

I recently had the opportunity to photograph one of my favorite pieces from our collection, the Morgan Cup (52.1.93), which is a beautiful example of Roman cameo glass. The cup was once in the collection of J. Pierpont Morgan, from whom it … Read more →

  • Posted in: From the Collections, Photography
  • January 27, 2021
  • 0 comments

Press Record and Meet Brad Patocka, the Museum’s Video Editor

Within any organization, there are always those departments that get more attention and those that get less. At The Corning Museum of Glass, there is one small department that you wouldn’t normally think of when you consider a museum dedicated … Read more →

  • Posted in: Digital, Photography, Social Media, Staff
  • May 19, 2020
  • 2 comments

Virtual Journeys into our Collection: Thoughts from a Photographer

This recurring blog series will feature virtual gallery walks with staff members from The Corning Museum of Glass. Everyone at our Museum interacts with the collection in different ways depending on the job they do and the perspective they bring. Hear … Read more →

  • Posted in: Artists, Conservation, Favorite Things, From the Collections, News & Events, Photography, Research, Staff
  • September 11, 2019
  • 1 comment

Photographing Glass: Highly Reflective Black Objects, Part 2

This article is Part 2 of a series on photographing highly reflective black objects, often referred to as “mirror black”. Part 1 can be found here. In May 2019, the Rijksmuseum in Amsterdam hosted 2+3D: Practice and Prophecies, a biennial … Read more →

  • Posted in: From the Collections, Photography
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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