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Posts in Category ‘Favorite Things’

  • March 15, 2022
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Have A Heart! Guests Show Love for their Favorites Artworks on Valentine’s.

What’s your favorite artwork at The Corning Museum of Glass? If I had to choose just one, I would say mine is Section One, Veils by Mark Peiser which was recently put on view in the Contemporary Art + Design … Read more →

  • Posted in: Education, Favorite Things, From the Collections
  • September 20, 2021
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Happy 80th Birthday, Chihuly!

Dale Chihuly is a pioneer and an icon. As one of the foremost names in contemporary glass, Chihuly is known the world over; from the shores of Tacoma, WA, where he was born, to the gardens of Europe and the … Read more →

  • Posted in: Artists, Favorite Things, From the Collections, News & Events
  • October 27, 2020
  • 2 comments

Superstitious? Maybe You Should Be!

Superstitions. Everyone has them, right? I remember, as a kid, hopping down the sidewalk, trying to skip the cracks while chatting with my best friend and dodging other walkers. It was hard work, but it saved my mom some back … Read more →

  • Posted in: Favorite Things, From the Collections, News & Events, Rakow Library
  • July 21, 2020
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Fire, Fear, and Protection: Glass Eye Beads at The Corning Museum of Glass

The uncertain times we are living in can leave us feeling anxious because people generally prefer having a sense of control and predictability in our lives. Historically, people have comforted themselves during stressful times by carrying a protective amulet. An … Read more →

  • Posted in: Artists, Favorite Things, From the Collections, Glassmaking techniques/process
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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