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Posts in Category ‘Blown Away’

  • February 9, 2021
  • 4 comments

Blown Away Contestant Cat Burns, a Star on the Rise

Glass artist Cat Burns, had a pretty interesting year in 2020, but she wasn’t able to talk about most of it until now. From studio instructor to TikTok sensation to star contestant on season 2 of the Netflix series Blown … Read more →

  • Posted in: Artists, Blown Away, News & Events
  • January 21, 2021
  • 2 comments

Blown Away Season 2! Catching Up with the Judges

Arguably the hottest show on Netflix, the glassblowing competition series Blown Away–once again featuring expert glassmakers from The Corning Museum of Glass–returns for a second season tomorrow, January 22, 2021. The Museum will also host Blown Away Season 2, an … Read more →

  • Posted in: Blown Away, Hot Glass Demos, News & Events
  • May 28, 2020
  • 2 comments

Extra, Extra! Get Your Blown Away Extras!

Could there be a better time to discover Blown Away, the hottest show on Netflix? Oh, you already have! Well, then now’s the perfect time to ‘re-binge’. Is that a thing? It should be! Season one of Blown Away has 10 … Read more →

  • Posted in: Blown Away, Digital, Glassmaking techniques/process, News & Events
  • March 17, 2020
  • 0 comments

Connect with The Corning Museum of Glass from your Couch: A Guide to our Digital Offerings

Dear blog readers,    We are in the midst of an unprecedented moment for museums and cultural institutions across the country. With widespread closures due to COVID-19, our most direct way to reach the public is no longer a viable option. We are all … Read more →

  • Posted in: Blown Away, Digital, From the Collections
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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