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Posts in Category ‘GlassBarge’

  • March 30, 2021
  • 0 comments

The Adventure Trail: A Story of Surprising Local Partnerships

Cars and glass have long been a good fit. The evolution of glass windshields and other glassy elements inside and outside the car has helped make travel on our roads safer and more enjoyable. But a glass art installation at … Read more →

  • Posted in: GlassBarge, Glassmaking techniques/process, Hot Glass Demos, News & Events
  • October 14, 2020
  • 3 comments

Rob Cassetti, the creative way

2020 has been a monumental year. There have certainly been times of difficulty, but also moments of innovation and progress. And for some, that change has been positive, a steppingstone to new roads and new adventures. This is certainly true … Read more →

  • Posted in: GlassBarge, News & Events, Staff
  • December 27, 2018
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GlassBarge: By the numbers

In May 2018, The Corning Museum of Glass launched a statewide tour to commemorate the 150th anniversary of glassmaking moving to Corning from Brooklyn. In 1868, Brooklyn Flint Glass Company loaded its equipment onto canal boats bound for Corning, N.Y., … Read more →

  • Posted in: GlassBarge, Hot Glass Demos
  • May 17, 2018
  • 1 comment

GlassBarge launches today at ONE°15 Brooklyn Marina in Brooklyn Bridge Park

The Corning Museum of Glass (CMoG) today launches GlassBarge through May 28 at One°15 Brooklyn Marina in Brooklyn Bridge Park, kicking off a four-month tour celebrating the 150th anniversary of the canal journey to bring glassmaking to Corning. GlassBarge is offering free … Read more →

  • Posted in: GlassBarge
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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