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All Posts by Kelly Conway

  • July 25, 2017
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Road trip for Tiffany

Summer is a great time to road trip, and what better travel bucket list to tackle than Tiffany’s glass mosaics! It was during the summertime a few years ago that my co-curator, Lindsy Parrott, and I began traveling across the … Read more →

  • Posted in: Exhibitions, Research, tiffany mosaics
  • August 17, 2015
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Notable Acquisitions: “Poppy” Inkstand

Desk accessories became increasingly popular around the time that Tiffany Studios opened a metal foundry in 1897. This coincided with a flourishing culture of letter writing, in which the elegance of one’s handwriting and the objects used in its practice … Read more →

  • Posted in: From the Collections
  • May 1, 2014
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April Showers Bring May Flowers

It’s May Day, a joyous celebration that conjures images of maypoles, flowers and the promise of summer. May Day originates from the ancient Roman festival of Floralia, an agricultural holiday celebrating Flora, the goddess of fertility, flowers and spring. Celebrated … Read more →

  • Posted in: From the Collections
  • February 25, 2014
  • 4 comments

A Conversation on Louis Comfort Tiffany: With curator of American glass Kelly Conway and Tiffany scholar Paul Doros

Paul E. Doros is a renowned scholar on the life and work of Louis Comfort Tiffany. He was the first curator of glass at the Chrysler Museum of Art, located in Norfolk, Virginia, and authored the 1978 publication, The Tiffany … Read more →

  • Posted in: From the Collections, Research
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It’s finally Spring! We’re celebrating with Pyrex’s “Spring Blossom” pattern. Known to collectors as “Crazy Daisy,” this pattern was produced from 1972 to 1981 and was designed by Sara L. Balbach. Pyrex using this pattern was designed specifically to accompany Corelle dinnerware with the same pattern. Learn more about Pyrex at pyrex.cmog.org. 4 Quart Pyrex Bowl with Lid and Stand, Sara L. Balbach (designer), Corning Glass Works, Charleroi, Pennsylvania, 1972-1979. 2010.4.360.We always love seeing these pictures from the height of cut glass production in the Crystal City! In 1903, Thomas Hawkes, the founder of local cut glass firm T. G Hawkes & Co., recruited English glassmaker Frederick Carder to establish Steuben Glass Works in Corning, NY. This photo shows Thomas’ son, Samuel, and Frederick Carder in front of Steuben Glass Works the year it was founded. The Rakow Library digitized this photo from a negative lent to us by Jane Levatino, who was Samuel Hawkes’ granddaughter. [Frederick Carder and Samuel Hawkes in front of Steuben Glass Works office] [picture]., Corning, NY, 1903. CMGL 112278.Object of the Week: Schwarzlot, Johann Anton Carli, Rhine Palatinate, Germany, about 1675. 2010.3.143. Schwarzlot is a sepia enamel first used to paint on stained glass and was eventually used to paint on glass vessels. Johann Anton Carli, who created this piece, is thought to have been trained as a painter of window glass and was one of the few enamelers of Schwarzlot in his region during the second half of the 17th century.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.This pendant, one of the earliest types of glass found in Mesopotamia, may represent the goddess Ishtar or one of her devotees. The Mesopotamian goddess of fertility and abundance, Ishtar was a popular deity in the ancient middle east, with close connections to other ancient goddesses like the Phoenician Astarte and Greek Aphrodite. The protruding belly and large breasts on this figure may represent the desire for a healthy pregnancy or gratitude for a safe delivery, and a plea to the goddess for her support, of an ancient woman.Pendant with Nude Female, Northern Mesopotamia, 1500-1200 BCE, 55.1.64.

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