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Say Hello to the Newest Members of the Museum’s Curatorial Team

The Curatorial department of The Corning Museum of Glass experienced lots of change over the last twelve months. With the Museum’s former Director of Collections and Curatorial Affairs, Carole Ann Fabian, taking on the role of interim Director of the Rakow Research Library and several curators pursuing new opportunities, the department is welcoming new staff, each adding new areas of expertise and perspectives.

In their respective roles, this group of new curators will serve the Museum’s mission to inspire people to see glass in a new light and advance an exemplary exhibition program that reveals the impact of glass on society and art history.

From left to right, Kathy Fredrickson, Rïse Peacock, Amy Hughes, and Julie Bellemare.

As we start 2023, we’d like to take a moment to introduce you and in doing so, ask each new member of the team a question to get to know them a little better and find out where their interests lie.

`A Crystal Legacy Preserved`

Passionate supporters of learning opportunities in glass engraving, Charles Nitsche and his late wife, Mary Lammon Nitsche, have a lengthy history of involvement and support for The Studio of The Corning Museum of Glass—and have most recently made a gift to support a new Engraving Studio as part of the StudioNEXT expansion project.

Longtime members Charles Nitsche and his late wife Mary Lammon Nitsche.

“In the 1950s, I lived in Painted Post and Mary lived in Corning. Both of our fathers worked for Corning Glass Works (now Corning Incorporated). As youngsters, we both visited the Glass Center (now The Corning Museum of Glass) many times. In 1967, we both had summer internships,” reflects Charles about the early years of the Museum and the couple’s personal history with glass in Corning, NY.

CMoG Named One of the “7 Glass Wonders of the World”

Capping a truly momentous year for glass, The Corning Museum of Glass has achieved a new distinction: being named one of the “7 Glass Wonders of the World.”

The announcement was made during the closing festivities of the United Nations International Year of Glass (IYOG) 2022. The year officially concluded with a Conference and Ceremony at the University of Tokyo, Japan, on December 8-9, which was attended by our very own President and Executive Director Karol Wight. This event was followed by an official debriefing held at the United Nations headquarters in New York City on December 14.

CMoG Named One of the “7 Glass Wonders of the World”

Capping a truly momentous year for glass, The Corning Museum of Glass has achieved a new distinction: being named one of the “7 Glass Wonders of the World.”

Blown Away is Back! Season 3 Contestants Share Their Experiences

It has been over three years since the phenomenal launch of Blown Away on Netflix and now we’re back for Season 3! Joining host Nick Uhas and resident evaluator Katherine Gray, are 10 new contestants all competing to be crowned Best in Glass and awarded the coveted Blown Away Residency at The Corning Museum of Glass.

Join us as we check in with this season’s glassblowers to find out what makes the show so special.

The ten contestants from *Blown Away* Season 3 are joined by judges Katherine Gray and Nick Uhas at the start of episode 1. Photo courtesy of Netflix © 2022

What expectations did you have going into season 3?

“In all honesty, I didn’t expect to go as far as I did, especially with the all-star lineup they had this Season.” Trenton Quiocho – Tacoma, Washington (IG: amocat_lowlife)

Lino Tagliapietra in the Museum’s Amphitheater Hot Shop, May 13, 2022.

Lino Tagliapietra may be retiring, but not before one final visit to The Corning Museum of Glass. Last weekend was a monumental one for Lino, the glassblowers and staff at the Museum, and all the guests who filled the Amphitheater Hot Shop to see the Maestro at work during what will be his final performance in Corning.

To celebrate Lino’s enduring legacy, we asked those lucky enough to know and work with him, to describe the impact he has made on the glass world. To no surprise, the response was fervent and unanimous: Lino’s impact is, and will always be, extraordinary!

Aaron Colton is ready to ride his motorcycle through The Corning Museum of Glass. *

As the world’s foremost glass museum, we often entertain some interesting ideas—but perhaps the wildest one yet was a call we received two years ago from Red Bull. “We’d like to have a stunt motorcyclist drive around The Corning Museum of Glass—kind of like a ‘bull in a china shop.’” Sure, it would have been easy to see the impossibilities in that simple concept. We’re a glass museum! Motorcycles and glass absolutely do not mix. But… could they? Often, it’s the out-of-the-box ideas that yield the biggest rewards. And so, we embarked on an exciting collaboration that culminated in a video released today on Red Bull’s channels.

Red Bull athlete and stunt motorcyclist Aaron Colton was engaged to create a custom-built, all-electric bike for this unique exploration of our galleries and hot shop. Colton’s Bike Builds series is a staple of Red Bull’s offerings, and this episode would follow his journey of not only building a type of bike he hadn’t built before—during a global pandemic, no less!—but would show the effort it takes to turn “no”s into “yes”s. Too many times, an exciting idea comes about, and it stops in its tracks because a location can’t accommodate a traditional, combustion motorcycle complete with fuel and noise. Colton and Red Bull would literally be creating a way to turn ideas into realities.

A Bordeaux Wine Glass by Riedel (83.3.222), featured in the 2021 exhibition Fire and Vine: The Story of Glass and Wine

It seems obvious to say it out loud, but we see glass everywhere these days. Funny, right?

For centuries we’ve thought about glass as something to be looked through but not seen. The cleaner the window, the clearer the uninterrupted view. Or glass is utilitarian to the point of invisibility. After all, it’s about the wine and not the vessel; it’s our reflection, not the quality of the mirror that is important. Often—if glass does its job correctly—it goes unnoticed, working not to draw attention to itself but to instead bring everything else into sharp focus.

But that’s not necessarily true anymore, and perhaps never was. Glass has long been changing the game. From early obsidian tools to revolutionary advancements in modern science and technology, from the Venetian masters to the American Studio Glass movement and beyond, glass has been a trusted tool and commodity, shaping cultures on almost every continent. Whenever the proverbial “lightbulb moment” happened, glass has transformed and illuminated the world we live in, right up to and including the COVID-19 pandemic, during which optical fiber was essential to keeping people connected virtually and Valor® glass vials have delivered life-saving vaccines to millions across the globe.

No Sign of Slowing Down: The Corning Museum of Glass Turns 70!

For America, the 1950s was a decade of highs and lows. In the wake of the second world war, the nation experienced a booming economy, a rapidly growing population, and watched as its cities and suburbs spread across the land to house a new generation. But the 50s were also the dawn of new conflicts, including the Cold War and the fight for Civil Rights.

In the spring of 1951, five people witnessed the unfolding of this new America from the small galleries and offices of the newly opened Corning Museum of Glass. Those five made up the entire staff back then! Conceived as an educational institution entirely separate from its benefactor, Corning Glass Works (now Corning Incorporated), the Museum sought to expand the world’s understanding of glass. And ever since, the Museum has inspired people to see glass in a new light, a mission that remains at the forefront of our institutional culture 70 years later.

To celebrate the Museum’s 70th anniversary, we’ve taken a trip through the archives to highlight some unforgettable moments.

So, let’s go back to where it all began.

The Life-Saving Work of Glass: Corning’s Valor Glass Houses COVID-19 Vaccine

The lightbulb. Pyrex®. Optical fiber. The catalytic converter. Gorilla® Glass. Valor® Glass. You’ve likely heard of most of these revolutionary innovations in glass, all of which came out of Corning, NY. And although the last one may be unfamiliar to you now, it’s about to serve a very significant purpose: housing and transporting the life-saving vaccine for COVID-19.

Valor Glass Lab. Photo courtesy of Corning Incorporated.

Corning Incorporated has been on the cutting edge of glass innovation for nearly 170 years, providing solutions to problems and shaping the way we live our daily lives. It’s a company many across the world have never heard of, however, nearly everyone has interacted with technology developed here in this small town of 11,000 people.

Although you likely don’t realize it, Corning’s technologies have played a role in how we’ve adapted to the COVID-era from the beginning. Never before has there been such an intense need to remain connected while we’re apart. And how have we done that? By interacting with each other through glass displays and transmitting all communications with co-workers, loved ones, and others, via optical fiber. We are literally connected by glass, and so it’s somehow unsurprising—yet immensely remarkable—that Corning’s technology is also on the frontlines of the fight against the virus itself.